The big Netflix Movie Premieres Releases for 2022

Netflix movie releases have proposed that 2022 be the year in which it definitively conquers film production. And that’s evident in the way his movie catalog is growing exponentially . From original productions to remakes to Oscar-quality material. The platform seems to risk everything for everything to become the main option for streaming services.

But beyond that, Netflix’s 2022 movie release schedule has become a diverse selection with all sorts of genres for a varied audience. It is surprising that the platform is able not only to extend the favorite topics of its productions, but to take them to a whole new level. Horror, adventure, action, biopic, romance, adaptations. There are no limits to the movies that Netflix offers in its ever-expanding catalog that encompasses a multitude of options. 

So that you can begin to select what you want to include in your lists, we leave you a tour of what will be released in the coming months. Also, of the projects still without date, to which you can be attentive in the coming months. As always, Netflix surprises with content that defies expectations and opens the possibility for new narrative and visual experiments.

The best of Netflix Movie Premieres

lost in the arctic 

When two explorers decide in 1909 to undertake an expedition to the Arctic, they never expected to change the history of science. But they did and revealed to the world an extraordinary and amazing landscape that ended up captivating the collective imagination . Based on a true story, it is an option that will captivate you if you enjoy exciting stories about formidable adventures.

Of course, the Netflix movie premiere might seem like your typical scientific adventure or at any rate the reconstruction of one, but Lost in the Arctic is more than that. It is also an exploration of the uncontrollable quest for discovery and wonder at a mysterious world. With its idealistic air but especially its attention to historical context, the film elegantly reflects on the human spirit.

From the first scene of the Netflix movie — which, in one way or another, establishes the atmosphere of the film — to its frenetic resolution. The script builds the perception of danger, fear and confusion through measured blows of effect. While in the book, the story combines a sense of urgency with unavoidable danger, its multiscreen version is trickier. So much so, as to use the photography from the Netflix film to turn the Split seaside resort into haunting snapshots of something more seedy. In fact, the film could have settled for creating the claustrophobic feel of a blind man chase . Instead, it creates a deduction box that ends up functioning as increasingly clever little obvious clues.

With its deceptively harmless air, Weekend in Croatia is a thriller that upholds the best tradition of suspense with simplicity and elegance. He finds the precise balance between provocation and absurdity, to give weight to an apparently trivial story. But beyond its low moments, the Netflix premiere is a surprising twist on the usual “unexpected criminal” trope. Which is already appreciated.

The cast is headed by Gossip Girl ‘s Leighton Meester as Beth. She is accompanied by Luke Norris, Christina Ulfsparre, Amar Bukvic and Ziad Bakri. In fact, one of the high points of the argument is the evident chemistry between characters. Which allows for a strange and emotional journey through the highest and strangest points of history.

no respite

This curious remake of a Korean thriller tells the story of a corrupt policeman in the midst of the worst moment of his life. Also, he takes the time to tell the corrupted context that surrounds him and build a claustrophobic story. The result of this Netflix movie is a journey through the darkest spaces that surround the police world from its most monstrous and violent angle.

Of course, the story about a corrupt cop with a lot to lose is not new to action movies. But the director and co-writer, Régis Blondeau, creates the condition that beneath the corrupted world, there are layers of substrata of darkness. And it is the feeling that the lowest point (most devious or disturbing) of legal foul play is never reached, which sustains the argument. Without respite shows the fact of the crime within an unknown substratum, to create large unknown places on top of the usual suspense of the police world. Who to trust when everyone around you is suspected or guilty of unclassifiable crimes? Much more harrowing still: how to face an enemy who knows every trick in play and will use them more skillfully than anyone else?

Without respite manages to preserve all the fast-paced sense of its Korean version, but adding the feeling that the western police world is a flimsy space

Breathless manages to preserve all the fast-paced sense of its Korean version, but adding the feeling that the western police world is a weak space. So much so that no one is outside the realm of darkness. Or in any case, is linked to something more elaborate, fearsome or consistent with respect to the crime line. There is a certain conception about the anguish of a society in which its authority figures are broken or about to collapse. And Netflix’s premiere plays with the idea to disconcerting extremes.

The best thing about this Netflix premiere that ends up becoming a large-scale hunting game is its ability to get out of the usual lines of action. With its unpredictable mix of suspense, drama and a version of crime so cruel that it is terrifying, it is one of the great movies in the Netflix catalog.