The defenders It can be remembered as one of the most ambitious bets in the relationship between Netflix and Marvel until recently. It was a story in which iron fist, luke cage (Mike Colter), Jessica Jones and daredevil (Charlie Cox) came together as a team to deal with different threats. From the start, the series was intended as a parallel to The Avengers, but without too much bombast. With the stories of these characters back at the helm of Disney, is it possible to see them again?
Unlike the Avengers, superheroes focus on global threats, The defenders emerged to settle local conflicts. These heroes, sometimes associated with attitudes typical of anti-heroes, were thought of in a more urban, urban, worldly perspective. This, to a large extent, allowed them certain freedoms. Daredevil was the first of these, within those featured in the narrative that was built on Netflix and to which Disney currently owns the rights. They followed Jessica Jones (Kristen Ritter), Luke Cage and Iron Fist (finn jones), incorporated with independent series.
The main characteristic of these characters was their relationship with the city and the conflicts that arose there. This served as an excuse to bring up different topics, such as Jessica Jones’ alcoholism and Daredevil’s tendency towards violence. Everything was justified according to the needs of the moment, until the appearance of The hand forced the alliance between all: the city in which the four lived, defending different districts, was in danger. However, it sounds better than it turned out.
The defenderson Netflix, what happened?
Based on the narrative that had been built separately through the various series, Netflix and Marvel chose to weave some of these stories into one. The direct and indirect references between the series would be enough to understand the dimension of the conflict and would encourage the characters to enter into a relationship with each other, as a team. Considering they belonged to the same background and also had a common enemy, it seemed easy to fit in.
But no. The defenders came across as an unbalanced series in many ways, from interest in building moments between characters to action sequences that could be better. As if, instead of one phase for the other, we were trying to strike a balance between the two. The production was halfway to supposed potential, perhaps because it focused too much on the Iron Fist character, the weakest in terms of acting and story building within the series in particular.
It created a sort of void, within the mega-narrative that Marvel has built through the film and television format: the street superheroes, those who often get their hands dirty with less important tasks than The Avengers, had no more place in history. On the contrary, Netflix’s cancellation of the shows (at the time) did little to cultivate the lore of these characters in adaptations.
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The opportunity that Disney could seize
Conflicts on a global scale, in superhero movies, are generally more appealing than private conflicts. If they are not of such resonance, they have major implications with the narrative. This is why the success of Spider-Man: No Coming Home. The story, developed in a specific location, shifted different issues within the Marvel Cinematic Universe. However, the TV series format allows producers to play with these contexts to keep moving forward in building the larger story.
In this sense, the series Hawk Eye could be pivotal. The story, featuring Jeremy Renner What Clint Barton, served to present different elements that are part of the internal dynamics of each city. The most obvious was the Sports Suit Mafia, run by Wilson Fiskinterpreted by Vincent D’Onofrio. This is not the only business that the character maintains in the city. This production has been celebrated, and according to his interpretation, its usefulness within the Marvel Cinematic Universe has even more travel if it focuses on the internal impulses within crime and its connection to the spaces in which it is presented.
The defenders could have this context to present itself. It doesn’t seem like an immediate project. It is likely that the to restart from Daredevil (introduced in Spider-Man: No Coming Home) provide more clues. At this time, there is no official information on whether the content developed by Netflix is canon. However, it seems that what was said in these series will not be completely ruled out.